Piano Fun in the Deep Hall

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The more than works on display this time all express the magical and majestic beauty of the western landscape, especially the vast Kunlun, and sing the beauty of the transcendent and holy spiritual realm. They dialogue with nature and ask questions about the world from a perspective that transcends time and space and is not secular! It is not a desolate and tragic "frontier fortress landscape painting" similar to frontier fortress poetry, but a work that embodies the new spirit and new pursuit of contemporary landscape painting. I think the author's title for this exhibition "Kunlun Love Chinese Dream" also shows that the author is not satisfied with singing the dream of the great rejuvenation of the Chinese nation through painting Kunlun. He also tries to remind people of Chairman Mao's "Left of Europe" by painting Kunlun.




"One part is given as a gift, the other part is left in the Eastern Kingdom", praising the dream of world unity. The magnificent landscapes of the Five Dynasties and Northern Song Dynasty were developed with true feelings. What makes Ma Wanguo's paintin Argentina WhatsApp Number gs touching is that he paints with emotion, which expresses a transcendent feeling that is different from that of the ancients, and also different from the contemporary feeling of being satisfied with one's own ego. Since ancient times, landscape paintings have entrusted three kinds of emotions. One is heroic and magnificent, such as Fan Kuan's "Journey to Streams and Mountains", which expresses the awe and pride of macroscopic beauty. Shitao's landscape paintings also express the passion of mountains and rivers. This Very few classes.





The second is secluded and beautiful, such as Ma Yuan's "", which is intoxicated with the delicate feelings of winding paths leading to secluded places. There are not many of this kind. The third is leisure and leisure, such as Dong Qichang's landscapes, where the human spirit wanders in the air, beyond the surface of things, unmoving, and emotional, beyond specific feelings. This type is the most common. Li Keran's artistic conception innovation in his later years was to pursue the law: in the Northern Song Dynasty, he painted mountains and rivers to create a biography of the country. In the new era, Jia Youfu and Zhou Shaohua continued to develop.